Monday, May 9, 2016

"Who Do You Think You Are?" - Molly Ringwald

I was looking forward to the Molly Ringwald episode of Who Do You Think You Are?, not only because I actually knew who she was, but also because the commercials said that she was going to work on her Swedish ancestry.  I've done enough Swedish research to know that vast numbers of records are online.  I was looking forward to seeing whether they had her travel to Sweden (which I fully expected) and how many records she would be shown that are available online, where you can look at them at 2:00 in the morning in your pajamas (but that wouldn't be as exciting as foreign travel, would it?).

The advertising teaser told us that Molly Ringwald would follow her ancestors back to Sweden and learn the truth about their harrowing lives.  She would discover generations who suffered unspeakable tragedies and a brave relative who forever changed the family's fate.  (A little more melodramatic than usual, perhaps?)

In the introduction to the episode itself, the narrator says that Ringwald is a celebrated actress who started at an early age.  Her breakout role was as Samantha Baker in Sixteen Candles, which made her a Hollywood icon.  She has had success on stage and screen and recently on television also, in The Secret Life of the American Teenager.  She has authored two bestselling books and is an accomplished jazz singer.  She lives in New York with her husband and their three children.

Ringwald says that was born in Roseville, California, a suburb of Sacramento.  She always knew she wanted to be creative.  According to her parents, when she was 6 she announced to the family she would be a famous movie star or "something like that."  Now that she is, however, she has learned that being a performer gives you a false sense of self.  So family is very important to her, and she doesn't know how she could survive without it.  Her family is close; she grew up with big family dinners, and holidays were a big deal.  She realizes she was dealt a good hand.

Ringwald's mother, Adele, was a stay-at-home mom.  She is personable and a storyteller.  Her father, Bob, is a blind musician.  He inspires respect, and people love him.  She and her father complement each other.  Ringwald's relationship with her father is a precious gift to her.  She would love to know more about his side of the family and share that with him.  In the family, he is the most excited about her genealogy journey.  She knows she's German on both sides, except for her father's maternal grandfather, who was Swedish.  She's never felt connected to her Swedish side and is curious to learn anything about it.  She doesn't know her ancestor's name, only that her father said he was called "the Swede."  She figures her father must know his name, but all she knows is "the Swede."

To begin her journey to learn about her Swedish great-grandfather, Ringwald visits her father in Brooklyn Heights.  When she walks in, her father is playing piano.  She gets him up, saying, "C'mon, let's go" (that camera crew can't wait forever, Dad!).  After sitting down with him on the couch, she says, "I'm on this journey to discover more about our family," and asks what the Swede's name was.  Her father does know and tells her it was Edwin Gustav Jenson.  Bob's grandmother told him Edwin had come from Sweden when he was 3 years old.  He later worked as a bricklayer in California.

Bob's knowledge only goes so far, however.  He doesn't know where in Sweden Edwin came from.  He was probably told by his grandmother but doesn't remember.  Both of Bob's grandparents died before Molly was born, Emma about 1958 or so and Edwin at the end of the 1960's.  He never asked any questions so doesn't know why the family came to the United States.  Bob says that Edwin had a sense of humor and was full of BS; you never knew if the stories he was telling were true.  One story was that if he had stayed in Sweden, he would have to become the king.  Bob believed that story for years.

That's the extent of Ringwald's visit with her father.  She hugs him and says, "Good to see you."  Outside, she says to learn that little was both exciting and frustrating.  She wants to know where her great-grandfather came from and why the family moved to America.

index entry on Ancestry.com
for Edwin Jenson's death
Her first research stop is close by:  the Brooklyn Central Library, where professional genealogist Brian Béla Schellenberg is waiting for her. (We saw him on the Ginnifer Goodwin episode.)  She admits she has already sent him what little information she had.  Schellenberg tells her that he took the information and searched death records, and now he has a copy of Jenson's death certificate (suitably redacted by the state of California to protect everyone's privacy, even though the man died more than 50 years ago).  Ringwald says that Edwin Jenson died October 20, 1965 (but the California death index says 1963; I wonder if that was deliberate misdirection or if the index is wrong).  He was born February 28, 1885 in Sweden; his parents were Gustav Jenson and Carolina Grip.  The death certificate also has that he was dead on arrival in the Roseville Hospital in Placer County, his usual residence was 7201 Mariposa Avenue (probably in Roseville), and his occupation was self-employed brick mason.

Ringwald tells Schellenberg that Edwin immigrated to the United States when he was about 3 years old.  He suggests they look for him in the census, which is conducted every ten years.  She says that probably the first census he would be in was 1890 (she knows the years of the census?), but Schellenberg tells her it was completely destroyed by fire (no, it wasn't; about 25% of it was, but the bulk of it was left to rot in the water used to put out the fire, and the moldy mess it became was tossed out more than ten years later).  He says, "Let's go on Ancestry" (9 minutes into the episode) and look at the 1900 census, the next one available.

They do find Edwin, living with his family in Washington County, Nebraska, listed with the last name of Jensen.  The census says he was born in July 1885 in Sweden.  His parents are Gustav (indexed by Ancestry as George), a farmer born in April 1855, and Carolina, born July 1857, both in Sweden.  They lived on a farm that was rented.  Schellenberg discusses the 1862 Homestead Act, which allowed settlers to go west, claim land, prove that they had developed it for five years, and then gain the title for free.  This brought many Swedes and other Europeans to the United States for the opportunity to own land.  Some speculators bought multiple lots and rented them to others, which was probably the case with Gustav.  (Did only homestead speculators rent land?  What about the family two up on the census page:  Peter Johnson, born in 1847 in Sweden, arrived in the U.S. 1870; he could be Gustav's brother.  Maybe it's his land Gustav is renting.)  The camera zooms in for a close-up of the birthplaces on the census page, and Ringwald says, "Sweden, Sweden, Sweden", but only the parents and Edwin were born there; the other children were born in Nebraska.  (A curious piece of information to be gleaned from the census is that Gustav said he had immigrated in 1877, while Carolina arrived in 1887.  So I'm wondering how Gustav, if he had been in the U.S. since 1877, could have fathered Edwin, who was born in 1885 in Sweden.  Just a thought.)

United States 1900 Census, Fontenelle Township, Washington County, Nebraska,
June 8, 1900, Enumeration District 130, Sheet 4A, lines 12–19

Curiosity appropriately piqued, Ringwald says that she wants to learn more.  Of course, Schellenberg says the best place to do that is to go to Sweden, because the Swedish are amazing record keepers.  (One point to Janice:  Yes, they send her to Sweden.)

Leaving the library, Ringwald says that yesterday she felt no connection to her Swedish ancestors, but now that has changed.  Just having their names has made a difference.  Knowing that her great-great-grandparents were Gustav and Carolina has made them more real.  Next she wants to learn where they lived in Sweden and what they did.

Ringwald goes to southern Sweden, apparently to the Regional State Archives in Lund.  As she goes through the city she is curious whether her relatives walked the streets of a city like this or if they lived in a rural area.  She also wonders about her great-great-grandmother Carolina's family.

In the archives, Ringwald meets with archivist Petra Nyberg (who has no on-screen credit, the first time I've seen that), who explains that a law was passed in 1686 requiring that annual household surveys be conducted by the clergy.  They collected information about births, marriages, and more.  The first book Nyberg brings out has Lysnings och Vigselbok ("Banns and Marriages") 1880–1893 on the spine.  The records are for Helsingborgs parish.  Nyberg has Ringwald put on conservator gloves, and she puts on a pair herself.  The relevant pages in the book are marked, so they're not just flipping through everything.  Nyberg suggests Ringwald look for the marriage of Gustav and Carolina before 1885, because Edwin was born in 1885 (for which they have shown no proof, of course, so as far as we've seen they're taking the census' word on it).  Ringwald asks whether the record is in Swedish, which of course it is.  That notwithstanding, she somehow manages to find the marriage record:  Gustaf Jönsson (pronounced "Yenson") and Carolina Grip were married on May 3, 1884.

Helsingborgs Banns and Marriages 1880–1893, page 55 (edited image)

The marriage record lists Gustav's occupation as a mine laborer from Höganäs.  The record also includes both of their birthdates:  Gustav was born April 23, 1855, and Carolina was born July 18, 1857.  (Second point to Janice:  I got this record online here in the U.S.) The record doesn't include much information, but Nyberg says that Höganäs had been a coal mining town since about 1800.

The next book brought out is Höganäs Kyrkobok ("Höganäs Church Book"), which has births from 1854–1861.  Carolina's birth is confirmed as July 18, 1857:

Höganäs Births 1854–1861, page 37

Nyberg provides a translation of this record:

-- >< -- >< -- >< -- >< --

1857
July 18 born deceased mine-laborer No. 303 Carl Grip and his surviving widow Kjersti Johnson's daughter, baptized 26 July - Carolina.  Saddle maker Lars Johnson's wife Johanna Hörstidz of Gr carried the child; Miss Bothilda Gustafsdr of the mine and Miss Christina Grip of No. 13 Väsby were witnesses.

-- >< -- >< -- >< -- >< --

The record says that Carolina's parents were Carl Grip and Kjersti (pronounced "sher-stee") Johnssonsdotter, that she was baptized on July 26 — and that her father was deceased.  Ringwald asks if he died in a coal mine, but the record doesn't give that information.  (Third point to Janice:  This record is online also.)  Something Nyberg does not mention is that normally in Sweden, if the father died before the child was born, the child was considered illegitimate.  Carolina's birth record does not indicate she is illegitimate, however.

Ringwald is happy to learn the names of her 3x-great-grandparents and wants to know if Carl Grip chose to work in the mines or if it was simply the type of work his family did.  Nyberg says no one would choose to do that work, as it was very hard.  It could be that he was from a family where his father worked in the mines, so he did the same work because he had no other option.  If his parents didn't own land or a farm, it was difficult to find agricultural work.  Mining was dangerous industrial work.  Nyberg ends by suggesting that Ringwald go to Höganäs if she wants to know more about the family.  It is north of Lund.

Leaving the archives, Ringwald is intrigued by what she has learned so far and wants to know how Carolina's father died.  She is close to her father, so she feels sorry that Carolina didn't have a father.  She wonders what happened and how the family survived.

In Höganäs, Ringwald notes that it's cold and dark, without much daylight for the time of year (I guess she was there in late fall or winter).  She finds it beautiful but thinks it would be hard to live there.  She is meeting historian Erik Thomson (from the University of Manitoba; we saw him in the Tom Bergeron episode; his Web page says his special interests are French and Swedish history, an interesting combination) at an address he gave her.  It turns out to be the entrance to a mine.  It is the last open mine in Höganäs; there used to be 50.  It's still dangerous enough that they both put on helmets with lights, before they even go past the fence.  Ringwald comments that her ancestors worked in mines like these because they had no other opportunities.  Thomson explains that Sweden had primarily an agrarian society until the 1870's to 1880's.  Ringwald adds that her ancestors probably did not wear hats like they're wearing; Thomson agrees and adds, "If they even had hats."

The narrator tells us that late in the 18th century Sweden began mining coal because it was cut off from its previous coal suppliers, who were in a war with France.  The mines in Höganäs at first used Russian prisoners of war and children from orphanages because it was difficult to find locals who would do the work.  Later, when young men were more desperate for work, they finally went to the mines.  The narrator, by the way, makes no attempt to pronounce Höganäs correctly, whereas Ringwald does a pretty good job.

Thomson points out the limestone and coal to Ringwald and tells her that the coal usually lay within a narrow band between two to three feet wide.  The miners often crouched on their sides in standing water, hacking away at the wall of the shaft to get at the coal.  He then goes to the entrance of the mine, and Ringwald says, "And I'm supposed to go in there?" in a slighty panicked voice that made me think she might be claustrophobic.  She eventually does go in, of course.

The two discuss how the work was fairly dangerous, and Ringwald wonders how her great-great-grandfather died.  Conveniently, Thomson has a translation of Carl's death record with him.  (All this window dressing just to show a translation of a death record?  Sheesh.)  Ringwald reads the entire short translation.

Died in 1857
January 26 - Died coal-cutter No. 303 Carl Grip as a result of being hit in the head by a rock fall in the Royal Shaft, buried 1 February.

Ringwald is quiet and contemplative for a moment, then notices that the rock is soft and asks if it was always like that.  Thomson says it was and that rock falls were common; people died regularly in the mines.  He points out the water dripping nearby and says that in mines close to the coast sometimes shafts flooded to waist level.  The men used candles for light and kept up their morale by drinking alcohol provided by the mine company.  The two agree that the drinking could have made for less-than-clear minds, which would not improve the danger inherent in the work.

Thomson comments about Carl being only 26 years old when he died.  Ringwald adds that Kjersti had a baby on the way.  It was unbelievable that people worked under these horrible conditions, and it must have been hellish.  She takes a small chunk of rock, apparently as a souvenir, and admits to Thomson, "I'm a little claustrophobic."  They then head for the exit.

Outside of the mine, Ringwald looks happier to be in the open air.  She thinks more about her 3x-great-grandfather dying at 26, when his life was just beginning.  He didn't get to see his daughter, which is very sad.  It also must have been frightening for Kjersti, who was pregnant and then a widow.  How would she support herself and the baby?

The next day Ringwald meets with Thomson again, this time in the Höganäs parish church.  He had said they would find out what happened after Carl died in the mine.  He tells her that this is her ancestors' church.  She says it's beautiful and then asks, "You have some documents for me?"  They move to a round card table which looks horribly tacky in the church sanctuary.

First Thomson has the household exam from 1857.  It shows Carl, Kjersti, and Ida, who was Carolina's older sister, but they have been crossed out.  Being crossed out means that the person died or moved.  Carl was deleted because he was dead, but Kjersti and Ida were deleted because household #303 was designated as a miner's family residence.  As Kjersti was a widow, she had to move out of the miner housing.  Thomson says that the G.E. before the 42 on the record is "Gruva Enka" (or something like that; I have no idea how badly I've spelled it), or "mine widow."  Ringwald thinks it's dehumanizing that everyone is designated by residence numbers, but Thomson points out it was a useful way to identify people when they were underground, with rocks falling on their heads.  (Does that mean the men carried their household numbers somewhere on them?  From a modern perspective, those numbers are also incredibly helpful when you're doing Swedish research, because you can follow the family from one residence to the next.)

Höganäs Household Exams 1854–1861, Household 303, page 164

The record for household #303 shows that Carl Grip was born July 19, 1830 and that Kjersti Johnsson was born January 17, 1834.  It also shows the child in the household, Ida, was born February 20, 1855.  (Another point to Janice for another online record.)

Ringwald wonders how old Kjersti was.  Thomson points out the record shows she was born in 1834, so when Carl died in 1857 she was 23 years old.  Ringwald is struck by the fact that she was a widow with one child and another on the way.  She then is hit by a sobering thought:  "I was moving to Paris when I was 23."  She has "definitely [had] a different life."  Returning to Kjersti, she asks where she would have moved.  There was housing set aside for widows.

The narrator elaborates.  Kjersti and Ida would have moved into widows' housing, probably owned by the Höganäs coal company.  From the early 1800's to the 20th century, widows and children of deceased miners lived in this type of housing if they had no other options.  Some spent the rest of their lives there.

Ringwald wonders if her ancestor Carolina was born in the widows' home.  Thomson says she was and hands her a translation of an oral history recorded in the 1940's about what the widows' housing was like.  Ringwald reads portions of the text.

-- >< -- >< -- >< -- >< --

South of Brorsbacke-farm, toward Tivoli Bowl, lay a long wooden building called the Widows' House.  It was just one meter wide, which separated it from Brorsbacke-farm.  In the Widows' House resided the Höganäs Company's poorest widows, 8–10 of them (According to Albin Hamberg's depiction of his childhood, there lived 20 widows there along with children).  The widows each had their own little room with a floor space of 2 x 3 meters.  Through the whole building went a long hall or corridor, in which two fireplaces were placed.  They consisted of a large brick stove with iron slabs, shared by all the widows.  There the widows could cook their food and boil their chicory coffee.  Moreover, these fireplaces were for heating all the rooms.  One would just open the door to their room so that the heat would penetrate it.  During the winter it was kept going day and night, which the widows had to provide for themselves, although the mining company provided free tinder which comprised of coal No. 3, so-called coal chips.

There were no head mistresses or nurses available other than the widows helping themselves the best they could if they became ill or bedridden.  They had 2–3 crowns [a denomination of money] a month poor-relief, but it did not reach far.  Local neighbors often brought them food or a treat.  But this had to be done in secret, otherwise there would be jealousy from those without means.  Most of them were fed and mobile and therefore went to the country to beg.

-- >< -- >< -- >< -- >< --

Ringwald stops reading and asks whether the widows had any money or insurance.  Thomson says that they had something but not much.  He doesn't mention the housing but says if the widow had children, the same allowance (a section which Ringwald did not read aloud, so it was a non sequitur when he said it) simply had to stretch further.  (Personally, I was struck by the irony of the widows having to heat their rooms with coal, the mining of which caused their husbands' deaths.)  Ringwald then picks up reading the translation again.

-- >< -- >< -- >< -- >< --

It was the worst for the widows during the winter when it was cold.  Albin Hamberg tells us about an event in the beginning of the 1880's.  One of the widows, "Hultin's Ingrid," was found one morning frozen to death beside a fence in Längaröd.  But as the weather was bad, she did not have the strength enough to reach all the way home, though she was quite close.

It was all quite poor and miserable in the widow house.

-- >< -- >< -- >< -- >< --

Ringwald is somewhat angry that the mining company didn't take care of the widows and that they were forgotten and forsaken.  (That was the way of the industrial revolution, unfortunately.)  She asks if Kjersti stayed in the widow's home.  Thomson says they can look at the widow's home records (which is the household exam for those residences).  He has a record showing Kjersti, Ida, Carolina, and another daughter, Johanna, crossed out from another household.

Höganäs Household Exams, Household 42, 1854–1861, page 282

This is the residence to which Kjersti moved after Carl Grip died.  On Kjersti's line (the second name), it has 303 in the fifth column and 57 in the sixth column, indicating she moved to this residence from #303 in 1857.  The seventh column shows that she moved to residence #207, and the eighth column shows it was in 1861, which is why the four names have been crossed out.  (One more point to me for a record found online.)
(What Thomson does not discuss is that the mark to the left of Johanna'a name indicates she was illegitimate.  The page shows that Johanna was born June 18, 1861.  What you can't see on this page is that Kjersti did not marry Johanna's father until after her birth.  Johanna's baptismal record lists only her mother's name as a parent and identifies her as a widow.  Since Ringwald's first child was born before she and her husband married, you'd think they might have brought up the subject, because she could identify with it.  By the way, I found the baptismal and marriage records online also.)

Kjersti married another miner (Johannes Andersson) in 1861 (on December 11), so she was able to move back into a miner residence.  These were larger, and the family had more income.  So Kjersti spent four long years in the widows' house with her children.  Thomson tells Ringwald to imagine being in a 2 x 3 meter room with children all winter.  Ringwald responds that she has three children, and she can't imagine spending even one day with them in a room that small.

Thomson then lets Ringwald know that Kjersti's second husband also died, so she had to return to the widows' house.  (No details about that were discussed on screen, but yes, I found those records online.  Johannes Andersson died March 20, 1864, and Kjersti and three children — she had another child with Johannes, a son, in 1863, but Ida died in 1862 — moved to household #46 the same day.  Maybe that was too much harshness for Ringwald.  Oh, and I think I'm up to 9 points.)

Ringwald says that Carolina left and had moved to Nebraska by 1900.  (Thomson does not bring up the fact that the date of Carolina's departure from Sweden should be documented in the household exams also.  I did not follow Carolina past 1866, when she was living with her mother and siblings in household #46 in the widows' house, but I easily could have done so.)  Ringwald asks if she can keep the documents before she leaves the church.

Ringwald is still angry that more was not done for the widows, whom she feels were badly mistreated.  Carolina knew only poverty growing up and couldn't have had much hope for more.  Ringwald doesn't know how she found the strength to go on, but she obviously did.  Now Ringwald is leaving Sweden to head to Washington County, Nebraska, where Carolina went when she left.

In Washington County Ringwald drives to the courthouse (which is in Blair).  She knows from the census that Gustav and Carolina had been renting land.  Now she wants to find out what kind of life they had and whether they were happy.  She has contacted someone and asked that person to look for any records about Carolina (Gustav has obviously been totally forgotten by this point).

At the courthouse Ringwald meets Tonia Compton, an assistant professor of the history of women and the American West at Columbia College (and a specialist in women's property rights in the west).  The first item she hands Ringwald is a warranty deed for property dated March 13, 1905.  Carolina Jenson had paid $200 to purchase two lots in the city of Arlington from Herbert and Helene Jayne.  The lots were 7 and 8 in block 22.  Surprisingly, Gustav's name does not appear on the deed, which prompts a question from Ringwald.  Compton admits it was unusual for a married woman to own property in her own name at the time but has found no clear reason in the property records for why it happened in Carolina's case.  Ringwald is happy to see that after the poverty and the widows' home, Carolina got a piece of land.  She tells Compton, "I think she was tough."

Ringwald asks if there's any way to find out exactly where the lots are that Carolina purchased.  Of course there is!  Compton takes out a 1908 book of plat maps (perhaps this book, digitized by the Library of Congress) and goes to the page with a map of Arlington.  Ringwald easily finds block 22 and lots 7 and 8.

1908 plat map of Arlington, Washington County, Nebraska, showing Block 22 at top

The next question, of course, is whether it's still there.  Compton says it is and that it is only about 15 miles from the courthouse, but she has one more document.  Ringwald immediately recognizes it as an obituary.  Compton states the date it was published, February 21, 1935, but does not mention the newspaper name.  (Luckily, the Washington County Genealogy Society transcribed it in 2015 and put it online; it appeared in the Arlington Review Herald.  Before finding it online I went back and forth rewatching the scenes to get the text.)  Ringwald is tearing up by the time she is at the end of the obituary.

-- >< -- >< -- >< -- >< --

Mrs. Gust Jenson

Pneumonia was fatal Wednesday morning when it claimed Mrs. Gust Jenson, 78, a resident of Arlington for thirty years.

Caroline Griep was born in Sweden, July 16, 1857.  She was united in marriage to Gust Jenson on May 3, 1883 in Sweden and to this union was born seven children, all living and as follows:  Edwin G. of Roseville, California, John G. of Herman, Fred W. of Loveland, Ohio, Mrs. Jess Laughlin of Tekamah, Carl G. of Arlington, Mrs. Oscar Anderson of Arlington, and Albert J. of Oakland.  Twenty grandchildren also survive the deceased.  Her husband passed away on August 18, 1930.

She was confirmed in the Swedish Lutheran Church at the age of 16 years.  Mrs. Jenson came with her husband to Washington County, Nebraska, on July 25, 1888, and engaged in farming until in March, 1904, when they moved to Arlington and made their home til the end.

Mrs. Jenson had always stood for the right and taught her family the meaning of truth, justice and mercy.  A kind and loving wife and mother who will be greatly missed and mourned by her children.

Some day, when fades the golden sun
Beneath the rosy tinted west
My blessed Lord will say, Well done!
And I shall enter into rest.  — Fanny Crosby

Funeral services will be held at the Methodist Church Friday afternoon at 2 o’clock. Rev. Rasmussen will be in charge assisted by Rev. McClannahan of Tekamah Union Church.  Pall bearers chosen are J. A. Peterson, Roy R. Peterson, W. E. Autrim, Wm. Kruger, Louis Sorensen and Chet Menking.  Mrs. Cora Hammang, Mrs. Chet Menking and Josephine Swihart in charge of the flowers.  Mrs. Alvin Anderson and Miss Lucy Lawson will sing a duet.  A quartette composed of W. A. Reckmeyer, J. Q. Wallingford, Mrs. Alvin Anderson and Miss Lucy Lawson will sing “Saved by Grace,” and “In the Sweet Bye and Bye.”

-- >< -- >< -- >< -- >< --

I suspect that the spelling of "Griep" is due to the pronunciation of "Grip" in Swedish, which would be "greep."  Carolina's birth is off by two days, and her marriage is off by one year.  This is a great example of how information in obituaries is great as clues, but original records should always be sought.

Ringwald is happy to see the property deed in Carolina's name and thinks it must have felt like a miracle to her.  Being born in the widows' house, not knowing her father, and growing up in such poverty, she couldn't have imagined that one day she would own land.  It must have been very meaningful to her.  Now Ringwald is curious to see where Carolina (not Gustav!) lived and raised her family.

As she drives to the location of the two lots, she mentions that she has been updating her father by e-mail, but she's going to try calling him to tell him the final pieces of the story.  She thinks he has been curious also.

The last few minutes of the episode go back and forth between Ringwald walking around the property and talking to her father on the phone, and her talking to the camera about her impressions.  She walks around a small white house.  Neither the address nor the street name is shown, but the location is easy to determine based on the plat map, because the street names in Arlington have not changed since 1908.  This is another occasion when the producers either did not seek or did not receive permission to see the interior of the home.

The two lots at the corner of 1st Street and Elm Street, Arlington, Nebraska, facing on Elm Street.
Neither house really looks like the one around which Ringwald walked.

Ringwald tells her father that she is in Arlington standing on the land his great-grandmother bought with her own money, and that the deed was in her name.  He asks whether the house is still standing.  She responds that it is but that it looks like it's had additions put on it and probably looks different from when Carolina lived in it, but that an old shed might be from the right period.  (Carolina bought two lots, and both have houses on them now, so someone must have told Ringwald which one to visit.)  She says that Carolina got out of the mines and owned land, which was remarkable.  Her father asks, "So there was no royalty in our family, huh?"  Ringwald tells him that the family couldn't be further away from royalty, but that they came for the American dream and succeeded.

To the camera, Ringwald says she is grateful for her life because her ancestor persevered and didn't give up.  She feels as though she inherited fortitude from her great-great-grandparents.  Now that she has walked in the same places her ancestors lived, she feels a real connection to them.  Carolina changed the family narrative (what about Gustav?!).  With her final look around the property, she says, "Well done, Carolina."

Sunday, May 8, 2016

These Are a Few of My Mother's Favorite Things

I was thinking the other day about my mother's favorite baseball team.  She was a New York Yankees fan through and through, even though she was born in Brooklyn before the Dodgers left.  The Yankees used to be my second-favorite team (after the Montreal Expos), but I don't root for them as I did when my mother was alive.  But that got me to thinking about what other favorites of hers I could recall.  So I decided to celebrate her favorites this year for Mother's Day.

I've mentioned before that my mother was a big sports fan overall.  Along with the Yankees in baseball, her favorite football team was the Oakland Raiders.  I don't remember what she thought of their move to Los Angeles, but she was probably happy when they returned to Oakland.

Even though she watched any and all sports on TV, I can't think of a favorite basketball or hockey team for her.   She might have been a Boston Celtics fan, but I'm not sure.  She had three favorite college football teams:  USC, UCLA, and Notre Dame.  She rooted for them all equally, and if any of them played against another, she rooted for a tie.  She strongly disliked Alabama, though.  Her all-time favorite sportscaster was Howard Cosell.

My mother liked almost all kinds of food, so picking out favorites there was a little more difficult.  I think Chinese was probably her favorite ethnic food, although her tastes leaned heavily toward the very Americanized versions.  Her most preferred food item was definitely lobster.  When I was younger she liked Scotch, although I can't remember a specific brand (when she worked as a bartender, she deplored customers who came in and ordered Scotch and milk), and my stepfather told me that later her favorite alcohol was tequila, though it was really too strong for her.

Mommy's absolute favorite movie was Stalag 17.  The two actors I remember her liking the most were William Holden and Hal Holbrook. I think her favorite singer was Tom Jones, who was born just a few months before she was.

Even though she never lived there, my mother loved Las Vegas.  My family used to visit there on a regular basis because my mother's parents lived there.  She enjoyed going to the casinos and the all-you-can-eat buffets.

While in Vegas, and when she gambled at all (which wasn't much), I think my mother's favorite casino game was the slot machines, coincidentally my grandmother's favorite also.  Her other preferred games were Scrabble and pinochle.

The other things I remember are kind of random bits of information.  Of all the pets we had when we children were young, my mother liked our snake the best.  Her favorite author might have been Mickey Spillane, or at least that's who she was reading when she gave birth to me.  Her favorite president was Richard Nixon, and her favorite cousin was Harvey (whom I was able to meet once).  And my stepfather pointed out to me that her favorite color was purple.

Putting together these random memories doesn't come close to giving a complete picture of my mother, but I smiled as I thought about how she enjoyed them all.

Saturday, May 7, 2016

Saturday Night Genealogy Fun: A Favorite Photo of My Mother

Because Mother's Day is tomorrow, it wasn't much of a surprise to see what Randy Seaver had in mind for this week's Saturday Night Genealogy Fun:

1)  This is Mother's Day weekend, so please go through the photographs you have of your mother and share one of your favorite photographs of her.  Just one.  Oh, tell us why it's one of your favorites, and tell us something about your mother, too.

2)  Share your photograph and story in your own blog post, in a comment on this post, or on social media (e.g., Facebook, Google+, Pinterest, etc.).


The problem with repeating this type of request is that if you've participated in the past, you've already shared your favorite photo!  And that's what I did last year.  So this year's photo will have to settle for being my second favorite.


This is a photograph of my parents on their wedding day, October 21, 1961.  The wedding was in Miami, and several of my mother's relatives attended.  My father's mother was there, and maybe an aunt, and that was it for his side of the family.  Very soon after the wedding my parents piled their belongings into a car and drove across the country to Whittier, California, where one of my maternal grandmother's best friends lived.  My mother always complained that it had taken them three entire days to drive across Texas.

Thursday, May 5, 2016

Treasure Chest Thursday: Jean La Forêt Was a Teacher


I fully intended to begin posting documents about Jean Le Forêt last week, but it was a long day, and when I realized the first document was in French and I would need to type both the French and the translation, I just wasn't up to it.  I don't want to let myself slack off another week, though, so it's time to start working on Emma Schafer's second husband!

The first document I have for Jean Le Forêt is 7" x 8 7/8".  It seems to be two narrow pieces of paper layered to create a wider sheet.  The paper is quite yellowed and spotted with age.  It is backed with some sort of textured material.  The texture is reminiscent of plastic, but it's unlikely to be that.  I really don't know what it is.  It has a small grommet in the lower left corner which attached it to two additional French documents.  The document is entirely handwritten in French except for two rubber stamped circular seals.  Both seals have German and French words.

First comes the transcription:

-- >< -- >< -- >< -- >< --

Main body:

Le Soussigné Maire et officier de L'Etat civil de la commune de Salonnes, Lorraine, certifie par les présents que Monsieur Jean Léon La Forêt a exercé les fonctions d'Instituteur dans cette commune du premier Janvier mil huit cent soixante treize au premier Octobre mil huit cent soixante quinze

Monsieur La Forêt a dirigé son école avec zèle et distinction et il a quitté la commune, unanimement regretté de ses élèves, des habitants et des authorités locales, pour prendre la direction de l'école Communale de Villers-aux-oies

En fai de quoi le présent certificat

Salonnes le dix Décembre mil-huit cent quatre vingt quatre.

Le maire

Michel

Salonnes * Bezirk Lothringen * [Buer]germeisteramt [seal]

===

Writing on left side:

Vu par nous Juge cantonal à Chateausalins pour ligalisation de la signature de M. Michel maire de Salonnes

Chateausalins le 12 Décembre 1884.

Barbieux

Kaiserliches Amtsgericht * Château-Salins [seal]

-- >< -- >< -- >< -- >< --

And now the translations:

-- >< -- >< -- >< -- >< --

Main body:

The undersigned mayor and official of the civil state of the town of Salonnes, Lorraine, certifies by these presents that Mr. Jean La Forêt fulfilled the functions of a teacher in this town from January 1, 1873 to October 1, 1875

Mr. La Forêt managed the school with enthusiasm and distinction and left the commune, universally missed by his students, the residents, and the local authorities, to run the town school of Villers-aux-Oies

In witness whereof the present certificate

Salonnes, December 10, 1884

The Mayor

Michel

Salonnes * Lorraine District * Mayor's Office [seal]

===

Writing on left side:

Viewed by us canton judge in Chateausalins to witness the signature of Mr. Michel, mayor of Salonnes

Chateausalins, December 12, 1844

Barbieux

Imperial County Court * Château-Salins [seal]

-- >< -- >< -- >< -- >< --

This is obviously a recommendation letter.  Even though in the United States the only information I have for Jean so far is that he was a laborer or in the military, he apparently was a school teacher and administrator in France from 1873 to 1875.  He seems to have been respected for his work.

On Emma's emergency passport application, she stated that Jean was born in Angevillers, Lorraine, France.  That town is about 50 miles from Villers-aux-Oies (now known as Villers-sur-Nied).  Salonnes, of which Mr. Michel was the mayor, is roughly 11 miles from Villers-sur-Nied, and Château-Salins, where Mr. Michel's signature was verified, is between Salonnes and Villers-sur-Nied.  So all of the places mentioned make sense together!

The two seals, with their combination of the town name in French but the rest of the information in German, are examples of the effect of Germany having taken control of Alsace-Lorraine after the end of the Franco-Prussian WarEmma wrote about Lorraine being a French-speaking country but part of Germany, and J. K. Rowling's ancestor, who had been French, became German.

Just because Germany was in control didn't mean everyone had to like it.  Mayor Michel wrote that Salonnes was in Lorraine, not Lothringen.  A small act of defiance, but a point was made.

Remembering Family Names on Yom HaShoah

Yom HaShoah is the annual day of commemoration to honor and remember the Jewish victims of the Holocaust during World War II.  It is usually held on the 27th of Nisan, which this year falls on May 5.

The following is the list of my family members who died in the Holocaust.  May their memory be for a blessing.

Peshe Mekler Golubchik
Beile Dubiner
Eliezer Dubiner
Herschel Dubiner
Moishe Dubiner
Sore Meckler Dubiner
Esther Golubchik
Fagel Golubchik
Lazar Golubchik
Peshe Mekler Golubchik
Pinchus Golubchik
Yechail Golubchik
Mirka Nowicki Krimelewicz
— Krimelewicz
Beile Szocherman
Chanania Szocherman
Maishe Elie Szocherman
Perel Szocherman
Raizl Perlmutter Szocherman
Zlate Szocherman

Sunday, May 1, 2016

"Who Do You Think You Are?" - Katey Sagal

I'm still running behind on posting my comments! for Who Do You Think You Are?  Right now it seems no matter what I do, I can't catch up, especially with two episodes coming this Sunday.  But I'm still trying!

The teaser for the Katey Sagal episode says that she will make an unexpected discovery about her mother and then take a deep dive into that side of her family tree.  She will find brave relatives who stood by their beliefs even when their own lives were threatened.

The intro then tells us that Katey Sagal is a charismatic actress who began her performance career as a back-up singer.  It was not long before she was launched into the spotlight due to her role in 1987 as Peg Bundy on Married with Children (which I watched, but oh, those characters were mean).  Since then she has had nonstop success with appearances in more than 30 television shows.  Her most recent series, and where most people watching WDYTYA probably recognize her from nowadays, is the FX program Sons of Anarchy, for which she won a Golden Globe award.  She lives with her husband, writer/director Kurt Sutter, and three children.

Katey tells us that she was born in Hollywood.  Her parents were part of the leftie Hollywood community, against the Vietnam War and that type of thing.  Her father, Boris Sagal, was a TV director.  Her mother was born in Lombard, Illinois but lived most of her life in the South.  Her mother was a singer who started performing at the age of 11 on a radio program.  Her birth name was Sara Zwilling, but she used the stage name Sara Macon.  She was known as the Singing Sweetheart of Cherokee County (South Carolina, to be specific).  (And she appears in the Internet Broadway Database!)

Sara moved to New York for her career.  During World War II she sang in USO shows.  After she married, she gave up her career to be a stay-at-home mother.  She put her creative life on the shelf, and Sagal thinks it's one of the reasons Sara was so supportive of Sagal's own desire to be a singer.  Sara really advocated for her.

Sara died when Sagal was only 19 years old.  Sagal's father, Boris, lost his life five years later.  Sagal has questions about her family but no parents left to ask.  She doesn't want that to happen to her own children; she wants them to know where they came from.  She wants to learn about her mother's singing career and about her years in the USO, but she has no living relatives.  She hopes this journey will change that.  She's decided to start in New York, where her mother lived when she joined the USO (or, more accurately, she was told by the producers that's where she would be starting).

Sagal goes to the New York Public Library, where she meets Kara Dixon Vuic, an Associate Professor of History at Texas Christian University.  (Now there's an uncommon name.  Where does the name Vuic hail from?  Slavic?  Has it been modified from something else?)  Vuic barely opens her mouth before there's a cut to the narrator (this editor actually has an active union card and gets paid for this?).

The narrator tells us a little about the USO (United Service Organizations, Inc.).  It was started by six civilian nonprofit organizations in 1941 and was created to help boost the morale of military servicemen serving during World War II.  As many as 7,000 performers appeared in live shows at home and abroad during the war.

When we return to the talking head . . . ahem, expert whom the producers took the time to hire for the program, she suggests to Sagal that they look for information about Sara in the Billy Rose Theatre Division at the library.  A lot of USO archival material is housed at the library.  Vuic tells Sagal to start with newspapers.  The Palm Springs Desert Sun of November 3, 1944 (available free online at the California Digital Newspaper Collection) appears to have had a section dedicated to the USO.  Across the top of the page is "With the Boys in the Service."  At the bottom of the page, an article titled "USO Camp Show" mentions Sara Macon, Sagal's mother.

-- >< -- >< -- >< -- >< --

Desert Sun
November 3, 1944,
page 9
"Smooth Sailing", a new USO Camp Show's production bursting with mirth, melody and novelty treats came breezing along to Torney General Hospital yesterday, strictly for GI enjoyment.  The show was given at the Post Theatre at 12:30 p. m.

The cast included Sid Marlo, phonograph pantomimist, Hart and Bynes [sic], comedy jugglers, Mary Beth, vocalist, The Swingtette, four young lovely singers of jivy tunes, Rudy Miller and Nikki Chandler, magic act, Sara Macon, singer, Wayne Sander, pianist and Pat Lane, comedian who M. C.'d the show.

Hart and Dynes, juggling comedians, have been at it ten years now playing New England clubs and theaters over and over.  A super-song salesman, Mary Beth, has numerous nightclub audiences applauding for more of her sweet and smooth tunes.  During the past five years, she has appeared at Club Ball, Philadelphia; Club Charles, Baltimore; Latin Quarter, Hit Hat and 5100 Clubs, all in Chicago, and the El Morocco, Montreal.

Servicemen at the Stage Door Canteen found nothing dull about Sid Marlo's act, whether he was acting as M. C., comedian or pantomimist.  Pantomime with records is his most popular feature.

In her not yet 18 years pretty Sara Macon has crowded more excitement and accomplishment than most women have in a lifetime.  At the age of 12 she was singing on her own radio program in Spartenburtg [sic], giving the entire 14-minute entertainment, three times a week.  She stayed there two years.  Then she came to New York and NBC hired her after her first audition for two of their prorams [sic].

-- >< -- >< -- >< -- >< --

After reading the article, Vuic shows Sagal a handbook with instructions that the USO performers had to follow.  Sagal reads parts of a section titled "Data for Artists (Cont'd)."

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1 - Do not mention anything about their wounds, sickness, or condition, nor notice that they have lost a limb.  Talk to them as you would to a friend or a healthy stranger.  If they mention their sickness, listen attentively, and gradually try and get into another subject.

2 - Try to avoid controversial subjects, such as strikes, unions, how much money is being made by civilians from this war, and r—

3 - Try and get into neutral subjects such as:

[Sections a, b, c, and d were not shown on screen at all.]

     e.  The marvelous education programs the U.S. Armed Forces Institute (USAIF) at Madison, Wisconsin, offers them through correspondence, available to all servicemen.

— attempting to arrive at a subject of interest to both of you.

4 - Do not sympathize with him as he does not want sympathy, and his morale is high.

5 - Do not ask about his COMBAT experiences or how he got wounded, because they usually want to forget.

6 - Do not tell him he will get well quickly for he does not like to be kidded.

7 - Do not ask to see the sickest boys, for they are all sick.

In conclusion, you are wanted and needed.  Appreciation will run high.

-- >< -- >< -- >< -- >< --

If you want to see the complete information, the two pages are online here and here.

It obviously was an intense experience, and Sara would have grown up fast.  Vuic then reveals that she (really, the producers) found an 87-year-old former USO performer who will be able to talk to Sagal about her mother's experiences.  As Sagal leaves the library and goes to meet the performer, she says she hopes that the person knew her mother.

At P. J. Clarke's (I believe it's the one at Lincoln Square), Hilda "Tinker" Rautenberg is waiting for Sagal.  She has a photo album from her time performing with the USO.  As Sagal pages through it, she comes across a photo with five girls and recognizes her mother as one of them.  She starts crying, because she has never known anyone who knew her mother.  Rautenberg tells her she and the other girls were four green college kids.  Sagal asks if all the girls hung out together, and Rautenberg says they even helped push pianos around in hospital wings.  They were doing their duty for the country during the war.

Rautenberg explains that Sara was already a professional and that the other four girls looked up to her.  She taught them a lot and helped them grow, and they had a good time together.  To be initiated into the club, you had to smoke a cigar, which makes Sagal laugh.  Then Rautenberg says that Sara was half actress and that she used to do one song (which happens to be from Oklahoma!):
I'm just a girl who cain't say no
I'm in a terrible fix
I always say, "Come on, let's go!"
Just when I oughta say nix
Sagal says that her mother taught her to play the guitar and sing, and now Sagal has taught her children; her children all play music.  Sagal sounds concerned when she asks Rautenberg whether Sara was happy.  Rautenberg responds immediately with an emphatic "yes!"  As Sagal gets up to leave, the two women hug and Rautenberg is glad that she brought "a little joy to fulfill your dream a little bit."  Sagal has a new friend, and I suspect that after the filming was done she has stayed in touch with Rautenberg.  (Rautenberg was one of the Swingtettes mentioned in the Desert Sun article.)

Sagal loves hearing that her mother was happy.  She remembers her mother singing the song from Oklahoma!.  Sara had ended up as the rebellious one in her somewhat conservative Southern family.  Now Sagal wants to know more about her mother's family; currently she knows almost nothing beyond the fact that her father's name was Daniel Zwilling.

Still in New York, Sagal next goes to the New York Genealogical & Biographical Society, where she meets professional genealogist Vonnie Zullo (whom we have seen previously with Kelly Clarkson, Chris O'Donnell, and Cynthia Nixon  Zullo explains that there has been an explosion of research online and that Ancestry has made it easy to do (um, what about FamilySearch, Find My Past, and MyHeritage?  better yet, how does Zullo feel about being a shill?).  She suggests that a good place to start is looking in birth, marriage, and death (BMD) records.  (Well, I would probably start with the census.)  She has Sagal go to the BMD page on Ancestry and enter Daniel Zwilling in Illinois, where he lived.  The record they latch onto is Zwilling's entry on FindAGrave (second-hand information, anyone?).  It seems to be the right person, because the transcribed obituary on the page includes Sara Sagal as a surviving child.  The page lists Zwilling's parents as Daniel Zwilling and Alda Miller.  Zullo points out that knowing the mother's maiden name is key to opening research on that side of the family.

Sagal decides, "Now I'm curious.  I want to find more about her."  (So much for the Zwilling side of the family.)  Zullo says they should find her on the census to learn more about her.  Zwilling's page says that she was born in 1866, so now Zullo has Sagal use the Ancestry census search page for Alda B. Miller born in 1866.  No need to look for Daniel as a child with his family, of course, just trust what's online.  And searching with a middle initial is not recommended, because it appears very inconsistently on censuses, but the results are already known, so go ahead and throw it in!  And yes, results come up for the 1870 and 1880 censuses in State Center, Iowa.  They look at both censuses and find Alda with parents Abraham and Elizabeth Miller, and Abraham's parents Jacob and Rebecca Miller, all of them born in Pennsylvania.  Now that she knows their names, Sagal wants to dig deeper and find out who her ancestors were, and whether she might have inherited any of their traits.

United States 1870 Census, State Center, Marshall County, Iowa, July 20, 1870, page 2, lines 9–15
United States 1880 Census, State Centre Township, Marshall County, Iowa, June 1, 1880,
page 11 (written)/206C (printed), lines 35–44
With just this tiny amount of information (who needs a complete census survey?), Zullo now says that as a professional researcher, she looks for anyone who might have been in the military (which is her actual specialization), because military records can have great info.  The 1870 census was the first one after the Civil War; does anyone in the family look to be the right age to have served?  Of course someone is, and that is Alda's father, Abraham Miller.

Sagal searches for Abraham H. Miller born 1842 in Pennsylvania and lived in Ohio in draft records (here we go with the middle initial again).   They know he lived in Ohio at some point because that's where Alda was born.  And Abraham H. Miller shows up in the U.S. Civil War draft registrations in Chester Township, Wayne County, Ohio.  The page shows that he was 21 years old, born in Pennsylvania, and "furnished [a] substitute."  (In the image below, his is the last name on the list.)  Sagal misinterprets this, thinking that Miller took the place of another man, but Zullo explains the notation means that Miller paid someone else to take his place.  This was a legal alternative to serving in the military.  The obvious question, of course, is why would Miller do that?


At this point the program cut to a commercial.  When it returned, the narrator said that Sagal had just learned the "shocking revelation" that her ancestor had paid for a substitute to fight in the Civil War.  I thought that was a little out of line.  It was perfectly legal to do so.  The attempt to make it a huge, dramatic item was overblown, unnecessary, and tasteless.

In a classic WDYTYA non sequitur, Zullo then suggests that to help find the answer to that question Sagal should look on Newspapers.com, where they "might" be able to find an obituary for Miller.  That means, of course, an obituary is available, and indeed the search finds it.

State Center (Iowa) Enterprise, December 4, 1903, page 4
The first item to be jumped on in the obituary is that Miller was buried in the Dunkard cemetery.  Not surprisingly, Sagal has never heard of the Dunkards, and Zullo explains that they were also called the German Baptist Brethren and were an early pacifist church, similar to the Amish and Quakers.  (I know about the Dunkards!  The Sellerses are descendants of Alexander Mack, founder of the religion.)  Sagal says, "I like that.  I'm a peacemonger myself."

Based on this, Zullo tells Sagal that to learn more about her family she should see Zullo's colleague in Pennsylvania, where Miller was born.  All the obituary has is that Miller was born in Somerset County.  Doesn't sound like much to go on, does it?

As she leaves the building, Sagal says it would be awesome if Miller was a peace activist.  She is, and her mother was also.  Maybe it's something in their genes.

The next leg of Sagal's journey takes her to Harrisburg, Pennsylvania and the Pennsylvania State ArchivesPhilip Otterness, a professor of 18th-century migration at Warren Wilson College, tells Sagal that by using early censuses, wills, land deeds, and family records he was able to construct a family tree for her.  The one he produces is on an oversize piece of paper, but not the fancy calligraphed scroll we're used to seeing.  Not all of it was shown on screen long enough to see what was written, so I filled in the few gaps with data from other sources.

The tree begins at the bottom with Catherine "Katey" Sagal with no birthday.  Her parents were Boris Sagal, born October 18, 1923 in Ekaterinoslav, Ukrainian SSR, died May 22, 1981 in Portland, Oregon; and Sara Elizabeth Zwilling, born December 15, 1927 in Geneva, Illinois, died September 1, 1975 in Los Angeles, California.  Sara's parents were Daniel F. Zwilling, Jr., born March 27, 1895 in State Center, Iowa, died October 5, 1968 in Lombard, Illinois; and Virginia Lee Thompson, September 7, 1895 in Citronelle, Alabama, died May 10, 1987 in Arlington Heights, Illinois.  Zwilling's parents were Daniel F. Zwilling, Sr., born October 18, 1844 in Ohio, died June 19, 1918 in Citronelle, Alabama; and Alda B. Miller, born December 23, 1866 in Pittsburg Junction, Ohio, died June 11, 1895 in State Center, Iowa.  Alda's parents were Abraham H. Miller, born April 17, 1842 in Somerset County, Pennsylvania, died December 18, 1903 in Melbourne, Iowa; and Elizabeth Fleming, born December 21, 1841 in Pennsylvania, died May 11, 1891 in State Center, Iowa.  Abraham's parents were Jacob A. Miller, born October 4, 1812 in Somerset County, Pennsylvania, died January 23, 1890 in Melbourne, Iowa; and Rebecca Horner, born March 20, 1815 in Pennsylvania, died April 16, 1891 in State Center, Iowa.  Jacob's parents were Abraham Miller, born June 15, 1780 in Somerset County, Pennsylvania, died September 4, 1849 in Somerset County; and Maria Sayler, born December 12, 1780 in Pennsylvania, died November 15, 1846 in Somerset County.  This Abraham's parents were Peter Miller, born 1756 in Berks County, Pennsylvania, died November 1, 1818 in Somerset County, Pennsylvania; and Mary Stutzman, born 1756 in Berks County, died March 13, 1838 in Somerset County.  Mary's parents were Christian Stutzman, born about 1732 in Berks County, Pennsylvania, died before November 17, 1770 in Berks County; and Barbara Hochstetler, born about 1732, died before 1787 in Berks County.  The final generation shown is Barbara's parents, Jacob Hochstetler, born about 1712, died before 1776 in Lancaster County, Pennsylvania, and an unnamed mother.

Sagal starts near the bottom and works her way up.  When she hits Jacob Miller, Otterness points out that he and his father were born in Somerset County, Pennsylvania (so was Abraham H. Miller, by the way), a center of Amish settlements.  From the family records he has seen, the family appears to have been Amish.  Sagal is amused and says, "I'm gonna get a buggy."  Then she admits she doesn't know anything about the Amish and asks Otterness to tell her about them.  He says they are similar to the German Baptist Brethren.

The narrator steps in to say that the Amish religion was founded in Switzerland in 1693.  Three primary tenets were adult baptism, pacifism, and strict separation of church and state.  These ideas were considered radical at the time, and the Amish refusal to join the military challenged the established authorities in Europe.  The Amish were persecuted because they wouldn't fight.

Returning to the family tree, Otterness points out that the name Stutzman, as in Sagal's 5x-great-grandmother, is definitely an Amish name, as is Hochstetler, the name of Sagal's 7x-great-grandfather, Jacob Hochstetler.  Otterness then says that at the archives there is a relevant record.  Sagal reads the top of the page:  "List of Men's Names Imported in the Charming Nancy November 9, 1738."  She asks what a "Charming Nancy" is and is told it was the name of a ship.  She looks down the list of names and finds Jacob Hostedler but apparently has no trouble recognizing that spelling as an alternative for Hochstetler (after an appropriate cue, I'm sure).  Otterness explains that Hochstetler was her first ancestor to immigrate to America.  This particular ship went to Philadelphia and was during the first couple of years that the Amish came to North America.

Sagal wonders why they came to Pennsylvania.  Otterness says that European records show that there was lots of propaganda about Pennsylvania and that is was promoted a land of milk and honey.  It gave the Amith an opportunity to live in an environment where they could practice their religion openly, without persecution.

Sagal says she wants to learn more about her Hochstetler ancestor, including how to pronounce his name correctly, as she stumbles over it a couple of times.  Otterness tells her she should go to the Historical Society of Pennsylvania, where Tim Shannon will be happy to tell her more.

Leaving the archives, Sagal is still amused about learning she might be Amish, which she never thought about previously.  She says she'll buy a buggy and a bonnet.

The Historical Society of Pennsylvania is in Philadelphia.  Inside, Tim Shannon, a professor of history at Gettysburg College, is ready for Sagal.  He starts out by telling Sagal that people who study Pennsylvania history know the name Hochstetler well; he is not an obscure person.  He then brings out a bound volume of the Pennsylvania Journal and Weekly Advertiser newspaper.  He has Sagal page through the Thursday, October 6, 1757 issue (I can find only 1757 one issue of the newspaper online, that from May) and then instructs her to read a small item in the left column of one page:

From Reading we have Advice, that last Wednesday the Enemy burnt the House of one Hochsteller, and killed Hochstelle's Wife and a Young Man, and Himself, and three of his Children are missing.

Sagal pronounces the name as Hochsteller both times, even though the name is spelled two different ways.  She seems to have no problem understanding that it's referring to Hochstetler.  In addition to being horrified at what the story says, she asks Shannon who the enemy was and is surprised to learn it was Indians.

The narrator elaborates that Jacob and his fellow Amish were considered British subjects after settling in the North American colonies.  There had been relative peace with the Indians until 1754, when tensions between Great Britain and France erupted into the Seven Years War, or French and Indian War.  Many Indian tribes sided with the French because they hoped to recover land that had been taken by the British.  Indians began making attacks against settlements on the British frontier, which included where the Hochstetler family was living.

Focusing on the fact that Hochstetler and three of his children were missing, Sagal asks if they escaped.  Shannon says it was possible, or they might have been taken captive.  The good news is that the British Army in the 1750's keep good records, and he has a military document for Sagal to look at.  The document is "Intelligence given by John Hochstetler."  Sagal asks if that's still Jacob, and Shannon says that John could be an English translation of Jacob.  (No, not really.  They're two different names.  But I have found references online that indicate Hochstetler's name was Johann Jakob Hochstetler, and they might have been using the English-language equivalent of Johann.)  Sagal does not read the entire deposition on screen; you can read a massaged transcription here.

-- >< -- >< -- >< -- >< --

Intelligence given by John Hochstetler [a Swiss by] Nation wich was settled in Bergs County [Berner] Town Ship, near Kauffmans Cr was taken by the Enemy Indians the 12th October 1757 and arriving at Shamokin 5th May 1758.

Question:  By What and how many Indians was you taken?

Answer:  By the Delaware and Shawanese, 15 in the whole

Question:  What became of you affter that?

Answer:  [After 3 days travel Est south Est,] I was brought to Buxotons Creek where it emptys in the Ohio [the Allegheny River] and we came to an Indian castle [which lys] upon the corner of it, there I was kept Prisoner all that time.

Question:  How do you escapd from there[, how long and in what maner do you was coming, and where did you arrive?]

Answer:  I got the liberty for hunting, one morning Wery soon I took my Gun finding  Bark Canoe on the River wherein I Crossd it, traveling Est for 6 Days from there I arrivd at the source of the west Branch, there I march for 4 Days further till I was sure of it there I took several blok's tying them together till I got a flott, there I flotted myself Down the River for five Days where I did arrive at Shamokin, living all the time upon Grass, I passd in the Whole for 15 Days.

-- >< -- >< -- >< -- >< --

So Jacob was abducted October 12, 1757 and arrived at Shamokin, a British fort, on May 5, 1758, a total of seven months.  His deposition was taken by Colonel Henry Bouquet.  Jacob's children are not mentioned at all.

The narrator tells us that more than 1,600 white captives were taken by the Indians during the war.  The French did not require them to be turned over.  Captives were often given to Indian families which had lost family members themselves.  The family had the choice of killing a captive or adopting him.  Young captives were often adopted because they could assimilate more easily to Indian culture.

Jacob's children would have been valuable captives.  Going by the deposition, he probably didn't know whether they were dead or alive.

Sagal says she really wants to find out more about her ancestors.  Shannon says she needs to go to Berks County and talk to people who might have more information from oral tradition (i.e., there are no actual documents).

As she leaves the archives, Sagal is impressed by the amazing story of Amish resilience.

Driving through Reading, Pennsylvania, in Berks County, Sagal says she is going to learn more about the Hochstetlers in the place where they settled.  At the Reading Public Library she meets Dr. Ervin Stutzman, the Executive Director of the Mennonite Church USA.  Sagal remembers the name Stutzman from the family tree she saw and tells him, "I think we're related."  He confirms this and says, "We're seventh cousins."  Sagal is amazed because she doesn't know many relatives and gets a little teary.

Stutzman has some passages marked in a book that he brings out for Sagal to read.  It is Descendants of Jacob Hochstetler by the Rev. Harvey Hostetler, D.D. (originally published in 1912, but apparently it's had some revisions and updates since then).  The passages read come from pages 29, 30, 34, 36, and 37 in the scanned book to which I've linked.  Sagal reads parts here and there.

Sagal starts by reading from "The Massacre" (pages 29–30).


Dr. Stutzman emphasizes how important nonviolence is in the Amish faith.    You can give your life, but it is never permissible to take another's, even to save your own.  He adds that it was unusual for Indians to attack settlers, but this was during the war.

The next paragraph Sagal reads from is "The House Set Afire" and "Murder" (page 30).  She does not read the list of people who were in the house, which includes Barbara Stutzman, who is likely Sagal's 6x-great-grandmother.



Jacob Junior and an unnamed daughter (none of the women seem to be named in this) were killed and scalped.  Jacob Senior's (unnamed) wife was stabbed with a butcher knife and scalped.  Joseph, Christian, and another (unnamed) daughter were thre three children mentioned in the newspaper article who were taken by the Indians.  Joseph was adopted by the Indians (page 34):


Christian wad adopted by an older Indian and treated as a son (page 36):


Stutzman and Sagal don't discuss the fact that the Indian who adopted Christian died soon afterward.  Stutzman does talk about how it was common for many of the captives to develop loving relationships with their captors.

The war ended in February 1763.  The two boys had been with the Indians all that time.  (And along with not remembering names for the daughters, we apparently lost track of the one who was taken captive.  I haven't read through the complete Hochstetler descendants book, so I don't know if she's mentioned in there.)  In the fall of 1764, Colonel Bouquet signed a treaty with the Indians that required the release of all British subjects, about 200 people by that point.  Joseph and Christian were probably in that group.  They had no choice but to return to their prior home.  Sagal reads from the section about Christian's return (page 37).


Christian and many more of the former captives were reluctant to go back.  Some had to be handcuffed and forced to stay with their white families.  Sagal does not read from "His Conversion", but I included it here because it mentions that Christian converted to the Tunker Church.  Tunker is a variation of Dunkard; Christian converted to the German Baptist Brethren.  It's possible other members of the family did also, which might explain why Abraham H. Miller was buried in the Dunkard cemetery.

Stutzman tells Sagal to imagine Jacob's situation — he's a father who had lost his son; the son returns but wants to go back.  What would she way in that situation?  Sagal says that as a mother, you don't have control after a certain point.  She wonders, however, whether Jacob remarried and had more children.  She is happy to hear that he did, as she wanted him to be happy.  In fact, Stutzman says that Jacob has hundreds of thousands of descendants alive today.  Sagal looks overwhelmed to think that she has so many relatives.

Stutzman says that the Amish particularly value stories of people who were nonviolent in difficult situations.  Jacob's old homestead is an important site now.  The original buildings are gone, but a memorial plaque has been placed there.  It isn't far, and Sagal says she would like to go.

The belief in nonviolence is what strikes Sagal the most.  Jacob absolutely would not kill another person.  She can understand his faith, but it's far easier said than done.  She doesn't know if she wouldn't defend her children to the death.

The plaque is on a brick structure.  At first I thought it might have been a chimney that survived from the house, but after reading more of the book than was done in the program, I'm inclined toward the bake oven mentioned in "The Massacre."  The plaque reads, "ERECTED BY THE HOCHSTETLER DESCENDANTS IN MEMORY OF OUR FOREFATHERS WHO PERISHED HERE BY INDIAN MASSACRE SEPT. 19, 1757."

Sagal is very emotional at the end and is obviously holding back tears.  She is glad she comes from a family with strong convictions.  Learning all of this has made her miss her mother, who has been gone a long time.  Being a mother has been her most amazing experience, and she understands her own mother better now.  Her mother grew up quickly but gave her power to stand up for what she wanted.

Sagal ends by saying that she comes from resilient people, from survivors, and from people who stood up for what they believed in.  She feels that describes her also.

Of all things, I had a couple of fashion questions with this episode.  I could not figure out why Sagal was wearing a glove on only her left hand for about the first half of the show.  And I noticed that when she visited Dr. Stutzman she was wearing a plain black dress.  I wonder if that was in deference to his faith.